Rooted in abstract and non-representational painting, my practice extends into installation and investigates painting as a process of transformation, material agency and ecological entanglement. It explores connection as a fundamental condition of human experience in an AI-driven, algorithmically mediated and accelerated world, focusing on it as a relational field of attention, presence and material encounter that resists processes of abstraction and optimisation. My work focuses on material processes, spatial structures and the use of natural pigments. Colour functions not merely as a visual element, but as a spatial and performative force carrying mnemonic, corporeal and ecological traces.